Emma Belair is twenty-two and has been acting her whole life on stage and in film, but is new to the voiceover scene. She loves trying new accents and digging into different roles. She hopes to do more voice acting in the future!
Award-winning stop motion films made for discussion, reflection, and laughter. Influenced by the work of Carl Jung, Joseph Campbell, and Jack Zipes. Scrappy homemade cinema for the heart, mind, and soul.
Thursday, November 5, 2020
Thursday, October 29, 2020
Thrilled to have Kat Evans voicing Amy in our upcoming "The Split."
As a voice actor, she played the roles of Loamy, Cumulus Jane, Dora, Time Traveller Linsday, and Eunice for sci-fi serial podcast Our Fair City, and is currently a frequent voice for GATEWAYS, bringing new sci-fi short stories to life. Kat also currently writes and performs in the ensemble of Starlight Radio Dreams and is the creator of serial comedy TRUTH KITTENS.
On camera, Kat has been featured in web series Lucky Jay (Seasons 1 and 2), Why Don’t You Like Me? (Episode 3), and Geek Lounge (Down & Dirty). She played combat veteran Erika Byrd in the feature film NONTRADITIONAL. Kat is represented by Hayes Talent.
Wednesday, October 28, 2020
Interview with Artistic Director AJ Campbell of Quarantine Players
Such a fun time with Quarantine Players last night! They recorded my "Ditching Destiny on Halloween," a romantic comedy. Great cast. I'll post the link to the reading when available. Here's an interview with Artistic Director AJ Campbell.
Tuesday, October 27, 2020
Happy to have the voice of Nate Nelson as Sam in our upcoming "The Split."
Saturday, October 17, 2020
First laurel and screening for "The Linguist!"
So thrilled to be part of this online program with the fantastic "Women of the Lens Film Festival." We love the mission of this London organization.
This platform was created because the underrepresentation of black women in the creative industries remains stubbornly low. We want to reveal the complexity, diversity and multiplicities of these women, which is ordinarily overlooked in the conventional media-sphere. We arrive because their stories are our stories, human stories with varied narratives - and as such, wider audiences beyond those of colour can truly engage with complex tales, which move beyond the common tropes reserved for these women in typical media representations.
Whilst our stories are by, of and for black women, we sincerely welcome allied women - and men, who will support the ethos and spirit of Women Of The Lens through their own work.